Conversation with Peter Morin | Contemporary Art Stavanger

A deeply personal and expansive interview focusing on the connection and collaborative work between Morin and his mother. The piece delves into themes of memory, caretaking, storytelling, and indigenous "heart knowledge." It also features Morin discussing his use of social media to open up conversations around familial Alzheimer’s and how knowledge is deeply stored within the body. Contemporary Art Stavanger

Peter Morin's Museum | Museum of Anthropology (MOA) at UBC

This extensive publication sourcebook documents Morin’s landmark exhibition and performance series that challenged Western museum models. It explores his "Museum Manifesto"—a 27-principle declaration inviting tea drinking, noise, and laughter into institutional spaces—and provides critical context on how his work frames the "museum" as a Tahltan concept centered on community gathering and the kitchen table. MOA Sourcebook (PDF)

Launch a Feast for Scavengers | Indigenous Curatorial Collective (ICCA)

An article written by Peter Morin reflecting on a powerful, culturally based performance artwork situated on the landscapes of "first contact" in Victoria, BC. Morin writes about the vulnerability of sharing Indigenous narratives, navigating coastal spaces as a Tahltan person, and using the body as a site of resistance and ceremony after centuries of colonization. Indigenous Curatorial Collective

Peter Morin: Fire, Sacred Fire | Plug In Institute of Contemporary Art

An article and exhibition feature documenting Morin’s collaborative and performance-based work alongside Ayumi Goto and curator Tara Hogue. It highlights a performance at the Vancouver Art Gallery where participants used rattles and collective noise to challenge systemic frameworks and invite the presence of ancestors back into a historically colonial space. Plug In ICA

Peter Morin — Dunlop Learning Portfolio

This profile explores Morin's innovative project NDN Love Songs, creating what is described as the world's first karaoke album and performance art object. The text highlights how Morin uses the collective, celebratory act of karaoke singing as a profound method of community building, resistance, and healing. Dunlop Learning

X: where paths cross | Performance Matters Journal

A collaborative, peer-reviewed essay and text piece co-authored by Peter Morin and artist Leah Decter published in Performance Matters (Volume 10, Number 2, 2024). The piece explores cross-cultural intersections and artistic dialogue within contemporary performance methodologies. Érudit Journal Record